My printmaking involves a lot of experimenting with mezzotints, mono prints, aquatints and lino cuts. At the moment I am working on ‘light and shade’. So, a whole new body of work is emerging. The botanical, and architecture, lends itself very well to lino and I am discovering new ways to interpret the visual world.
Print making has encompassed my artist practice for many years, I have done a residency in France where I discovered the practice of mono printing to be highly desirable, also worked at Cicada Press where I did many prints for high profile artists, alongside Michael Kempson and worked many long hours reaching for perfection.